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Charge!
27 Jan 2004, 09:01 AM
http://www.oscar.com/nominees/nomineelist.html

Please place all "WTF were they thinking" opinions here :)

Paul (In America???)

Ghost
27 Jan 2004, 09:18 AM
Generally, I was fairly pleased. I've generally hated the Best Picture winner for each year since about the 1999 films (and Shakespeare in Love, the 1998 winner, is merely a decent toffee-swirl of a movie that should've lost to Private Ryan or The Thin Red Line.) Granted if that totalitarian monstrosity Return of the King wins, I will be once again disappointed. But at least two films that I like a lot --- Mystic River and Lost in Translation -- are both up for Best Picture, so I have rooting interests, and LIT could win. And City of God wound up with more noms than Cold Mountain. Scarlett Johansen got snubbed, probably because her votes were split both between LIT and the Girl with the Pearl Earring and between lead and supporitng. (I think she was clearly the lead.) But she'll get the Naomi Watts/Jennifer Connelly makeup calls in coming years, so that's fine.

On the whole, not bad.

skipshady
27 Jan 2004, 09:33 AM
Really, it's hard to complain about the nominees. There isn't a single Chocolat or a Titanic, and I can't think of a notable snub other than Scarlett Johannsen.

LifeOfBrian
27 Jan 2004, 09:37 AM
Sofia Coppola nominated for Best Director ?

She might have made a cameo appearance but she certainly is no Alfred Hitchcock.

bojendyk
27 Jan 2004, 09:38 AM
Originally posted by skipshady
Really, it's hard to complain about the nominees. There isn't a single Chocolat or a Titanic, and I can't think of a notable snub other than Scarlett Johannsen.

I can think of one other notable snub: Paul Giamatti in American Splendor. That movie was fantastic, and he was fantastic in it. Of all the movies I saw last year, only Mystic River was better/had better performances.

dawgpound2
27 Jan 2004, 09:55 AM
Originally posted by bojendyk
I can think of one other notable snub: Paul Giamatti in American Splendor. That movie was fantastic, and he was fantastic in it. Of all the movies I saw last year, only Mystic River was better/had better performances.


Amen! How they ignored American Splendor can only mean no one in the Academy saw it. Unreal.

obie
27 Jan 2004, 10:20 AM
Here's what got snubbed:

Cold Mountain -- Very big budget and Globes hype but only the two acting noms among the major categories.

The Last Samurai -- I don't see this as up for anything other than Supporting Actor and 1-2 technical categories.

American Splendor -- It was never going to be up for BP but it got nothing except for adapted screenplay. Paul Giamatti's Best Actor place was stolen by Jude Law.

House Of Sand And Fog -- Noms for Ben Kingsley and Shohreh Aghdashloo, but no BP or director.

In America - Almost nothing (original screenplay, actress for Samantha Morton), which considering Jim Sheridan's luck in the past with the Academy is surprising.

Big Fish -- Shut out of all major categories.

Finding Nemo -- Only a darkhorse for BP and it did get a best screenplay nom, but nothing more. The Best Animated category has killed any future chance of an animated picture winning a BP nom.

21 Grams -- Got all of the acting noms it deserved but no BP. Didn't even get a Best Editing nom, which I thought would have been a lock.

Something's Gotta Give -- Diane Keaton gets her nom but no BP, and nothing for Jack.

Now on to the good stuff...

City of God - 4 noms including Best Director and Best Orig Screenplay. Wow. But it's not up for best foreign language film, I assume because Brazil didn't submit it.

Keisha Castle-Hughes getting a best actress nom for Whale Rider.

"A Kiss At The End Of The Rainbow" from A Mighty Wind and the exceptionally catchy theme from The Triplets of Belleville are both up for Best Song. How cool is that?

The Best Doc category is about as strong as it's been in years -- Capturing The Friedmans, The Fog of War, My Architect, and The Weather Underground are all worthy. Looks like the Academy is finally catching on about this category.

About the only "you're kidding" thing for me is Seabiscuit up for BP. The "American Experience" PBS documentary was much better than the feature film, and the book was better than both. And Foreign Language looks really weak but I don't know enough about what was submitted by each country to say what would be better.

Father Ted
27 Jan 2004, 10:25 AM
Originally posted by obie
Here's what got snubbed:


In America - Almost nothing (original screenplay, actress for Samantha Morton), which considering Jim Sheridan's luck in the past with the Academy is surprising.



Actually, Djimon Hounsou was also nominated for Best Supporting Actor. So thats 3 noms, I'm surprised that In America got that many. (BTW I liked the film a lot)

Ghost
27 Jan 2004, 10:37 AM
Originally posted by obie


The Best Doc category is about as strong as it's been in years -- Capturing The Friedmans, The Fog of War, My Architect, and The Weather Underground are all worthy. Looks like the Academy is finally catching on about this category.

This may secretly be the strongest category. Only Bus 174 may be missing.

About the only "you're kidding" thing for me is Seabiscuit up for BP. The "American Experience" PBS documentary was much better than the feature film, and the book was better than both. And Foreign Language looks really weak but I don't know enough about what was submitted by each country to say what would be better.

I watched the whole announcement thinking "Thank Goodness that Seabiscuit is getting shut out." Then all of a sudden, on the last thing announced, there it is for best picture. Ugh.

At a time when the best foreign films have been coming out of the middle east, far east and recently latin america for at least a decade, four (I think) of the best foreign film nominees are European.A colossal misjudgment.

obie
27 Jan 2004, 10:48 AM
Originally posted by Father Ted
Actually, Djimon Hounsou was also nominated for Best Supporting Actor. So thats 3 noms, I'm surprised that In America got that many. (BTW I liked the film a lot) I didn't like it, but in the past he's made some middling films that got lots of Oscar love (In The Name Of The Father, My Left Foot).

And Ghost is right about Bus 174. I haven't seen it but have heard that it is riveting.

DoctorJones24
27 Jan 2004, 10:52 AM
Originally posted by obie
City of God - 4 noms including Best Director and Best Orig Screenplay. Wow. But it's not up for best foreign language film, I assume because Brazil didn't submit it.


List of foreign language submissions:
http://www.moviecitynews.com/awards/2004/oscars/foreign_language.html

Afghanistan, "Osama," Siddiq Barmak, director;
Argentina, "Valentine," Alejandro Agresti, director;
Austria, "Free Radicals," Barbara Albert, director;
Belgium, "Sea of Silence," Stijn Coninx, director;
Bolivia, "Dependencia Sexual," Rodrigo Bellott, director;
Bosnia and Herzegovina, "Fuse," Pjer Zalica, director;
Brazil, "Carandiru," Hector Babenco, director;
Bulgaria, "Journey to Jerusalem," Ivan Nichev, director;
Canada, "The Barbarian Invasions," Denys Arcand, director;
Chile, "Los Debutantes," Andres Waissbluth, director;
China, "Warriors of Heaven and Earth," He Ping, director;
Colombia, "The First Night," Luis Alberto Restrepo, director;
Croatia, "Witnesses," Vinko Bresan, director;
Cuba, "Suite Habana," Fernando Perez, director;
Czech Republic, "Zelary," Ondrej Trojan, director;
Denmark, "Reconstruction," Christoffer Boe, director;
Egypt, "Sleepless Nights," Hany Khalifa, director;
Finland, "Elina," Klaus Haro, director;
France, "Bon Voyage," Jean-Paul Rappeneau, director;
Germany, "Good Bye, Lenin!," Wolfgang Becker, director;
Greece, "Think It Over," Katerina Evangelakou, director;
Hong Kong, "Infernal Affairs," Andrew Lau & Alan Mak, directors;
Hungary, "Forest," Benedek Fliegauf, director;
Iceland, "Noi the Albino," Dagur Kari Petursson, director;
Indonesia, "The Stringless Violin," Sekar Ayu Asmara, director;
Iran, "Deep Breath," Parviz Shahbazi, director;
Israel, "Nina's Tragedies," Savi Gavison, director;
Italy, "I'm Not Scared," Gabriele Salvatores, director;
Japan, "The Twilight Samurai," Yoji Yamada, director;
Korea, "Spring, Summer, Fall, Winter ... and Spring," Kim Ki-duk, director;
Lebanon, "The Kite," Randa Chahal Sabbag, director;
Luxembourg, "I Always Wanted to Be a Saint," Genevieve Mersch, director;
Mexico, "Aro Tolbukhin (In the Mind of a Killer)," Agustín Villaronga, Lydia Zimmermann, Isaac P. Racine, directors;
Mongolia, "The Story of the Weeping Camel," Byambasuren Davaa and Luigi Falorni, directors;
Nepal, "Muna Madan," Gyanendra Bahadur Deuja, director;
Netherlands, "Twin Sisters," Ben Sombogaart, director;
Norway, "Kitchen Stories," Bent Hamer, director;
Palestine, "Divine Intervention," Elia Suleiman, director;
Peru, "Paper Dove," Fabrizio Aguilar, director;
Philippines, "Dekada ‘70," Chito S. Rono, director;
Poland, "Pornografia," Jan Jakub Kolski, director;
Portugal, "Um Filme Falado," Manoel De Oliveira, director;
Russia, "The Return," Andrei Zvyagintsev, director;
Serbia and Montenegro, "The Professional," Dusan Kovacevic, director;
Slovakia, "King of Thieves," Ivan Fíla, director;
Slovenia, "Spare Parts," Damjan Kozole, director;
Spain, "Soldados de Salamina," David Trueba, director;
Sri Lanka, "Mansion by the Lake," Lester James Peries, director;
Sweden, "Evil," Mikael Hafstrom, director;
Taiwan, "Goodbye, Dragon Inn," Tsai Ming-Liang, director;
Thailand, "Last Life in the Universe," Pen-ek Ratanaruang, director;
Turkey, "Distant," Nuri Bilge Ceylan, director;
Ukraine, "Mamay," Oles Sanin, director;
Uruguay, "Seawards Journey," Guillermo Casanova, director;
Venezuela, "Sangrador," Leonardo Henriquez, director.

JMU Soccer!
27 Jan 2004, 11:26 AM
Jamie Lee Curtis for Freaky Friday.

Yes the genre is unoriginal overdone, yes this is a remake, but she was downright hilarious and stole the show.

skipshady
27 Jan 2004, 11:38 AM
Originally posted by obie
American Splendor -- It was never going to be up for BP but it got nothing except for adapted screenplay. Paul Giamatti's Best Actor place was stolen by Jude Law.Now that y'all mention it, Giamatti is probably the biggest snub, though he had the misfortune of having to act alongside the real life Harvey Pekar.
House Of Sand And Fog -- Noms for Ben Kingsley and Shohreh Aghdashloo, but no BP or director.I agree with the Academy here. The acting was fantastic but the actual filmmaking and script were weak. If it weren't for Gandhi and Aghdashloo (and Connelly to a lesser extent) this would have been unwatchable.
Something's Gotta Give -- Diane Keaton gets her nom but no BP, and nothing for Jack.That's because Nicholson is the most overrated actor of his generation, About Schmidt not withstanding.
The Best Doc category is about as strong as it's been in years -- Capturing The Friedmans, The Fog of War, My Architect, and The Weather Underground are all worthy. Looks like the Academy is finally catching on about this category.Indeed, and 2003 was a great year for documentaries, especially when you include spillovers from 2002 like Spellbound, Winged Migration and Bowling For Columbine.

obie
27 Jan 2004, 11:44 AM
Originally posted by skipshady
Now that y'all mention it, Giamatti is probably the biggest snub, though he had the misfortune of having to act alongside the real life Harvey Pekar.
But you know, you kinda needed the real Harvey to show up so that you could see that Giamatti was not overacting.

sch2383
27 Jan 2004, 12:45 PM
Even though he has no chance, I'm happy Johnny Depp got a nomination.

GringoTex
27 Jan 2004, 01:47 PM
The biggest snubs of the year are "Once Upon A Time in Mexico" and "Mystic River" for Best Cinematography. What Rodriguez achieved with digital video is mindboggling- lightyears ahead of Lucas and his $150 million budgets. And it's a cruel joke that "Girl with a Pearl Earring" was nominated when the movie that really applied Vermeer to the cinema was Mystic River.

DoctorJones24
27 Jan 2004, 03:32 PM
Seeing the list of foreign submissions made me think about how the 5 get chosen. I know that for nominations, only Academy members from each specific category vote.

That's 6k members, with half of them being actors. So that's 3k divided between directors and cinematographers and screenwriters and composers, etc. Is there a small group of "foreign language directors" who have joined the American Academy, and who have to be counted on to see ALL 55 films submitted to that category?

Perhaps Best Foreign Film is like Best Picture: all members get to vote for the nominations...

In any case, with such a long list of films, I'd bet even money that not a SINGLE voter saw any more than say, ten of those films.

GringoTex
27 Jan 2004, 05:19 PM
Originally posted by DoctorJones24
Seeing the list of foreign submissions made me think about how the 5 get chosen. I know that for nominations, only Academy members from each specific category vote.


There's some special committee that supposedly views all submissions and selects the five nominees. Then only those Academy members who screen all five nominees get to vote for the Oscar.

http://www.oscars.org/75academyawards/rules/rule14.html

obie
27 Jan 2004, 06:24 PM
No Miramax BP noms. GT has to be dancing a two-step over that.

Charge!
27 Jan 2004, 06:34 PM
Originally posted by skipshady
There isn't a single Chocolat or a Titanic, and I can't think of a notable snub other than Scarlett Johannsen.

Hey! :eek:

Another LA Confidential supporter when Titanic opened a can of whoop at the boxoffice and the Oscars? :p

Paul (a Titanic fan)

P.S. Snub, thy name is Bend it Like Beckham (for original screenplay)